University of Tartu, Estonia, September 3 - 05, 2016
Deadline: Mar 26, 2016

Annual conference of the Association for the Study of the Arts of the
Present

How and to what ends do the contemporary arts conceptualize, represent,
and model new spaces and temporalities?

In recent years, much has been said about the difficulty of
representing new spaces and times at “the end of history.” Fredric
Jameson and Mark Fisher have famously pronounced that it is nowadays
easier to imagine apocalypse on Earth than it is to conceive of an
alternative to the timespace of capitalism. And yet surely there are
still possibilities for introducing temporal and spatial otherness to
the imagination in the forms of heterochrony, alternate futures and
histories, and alternate conceptions of temporality and spatiality
based in nonwestern cultures, affective perception, digital media, and
barter or gift economies (not to mention altered states both
geopolitical and cognitive).

The manifold practices of today’s literary, visual, media, and
performing arts are in fact often devoted precisely to conceiving of
such alternatives. Indeed, a minimal impulse towards some kind of
"alterity" could be said to penetrate all art, irrespective of its
medium, genre, place of origin, or ideological orientation. Therefore,
we invite papers that examine the present status of imagining
alternative spaces and times in all forms of contemporary art and
artistic practice.

Possible topics include
• possibilities for hybrid genres and artistic mediums
• new narrative forms and unnatural narratives
• art and theory that imagines the future or past
• the artistic possibilities of imagining radical difference today
• utopias, dystopias, and the changing status of utopian thinking as
"social dreaming"
• heterotopia and heterochrony
• “zones” (of fantastic origin, of heterotopic space, of
multidimensional time)
• the contemporary practice of futurisms (“Afro-Futurism,”
"Sino-Futurism," etc.
• architectural alternatives: ecotopia, ecopolis, etc.
• sciences and the arts of the present
• the timespace of augmented reality and digital gaming
• time and the aural, the times/space of soundscape, music and
heterotopia
• dramatic timing, reimaginings of time and space as performance
• manifesting alternative spaces and times specific to various artistic
mediums: literature, visual arts, installation art, film, TV, theatre,
music, digital arts, street art, performance art, architecture, urban
planning

In keeping with the mission of the Association for the Study of the
Arts of the Present, we are especially interested in sessions that
feature more than one artistic medium and more than one national
tradition. The program committee will give preference to panels and
roundtables that feature papers by scholars and artists working across
and between disciplines.

Proposals should include 300-word abstracts for papers or 700-word
abstracts for roundtables or panels, with email addresses and brief
biographical statement for each speaker. See [asap8.ut.ee] for more
information or contact [asap8info@gmail.com] with inquiries.

Please send submissions in Microsoft Word format to
[asap8info@gmail.com]

ASAP/8: "Artistic Alternatives to the Present" is hosted by University
of Tartu in collaboration with the Program Committee of ASAP. The
symposium's host organizers are Marina Grishakova and Jaak Tomberg,
University of Tartu.
Deadline for submitting proposals: MARCH 26, 2016.